EFM Event Schedule 2025

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The full version of the EFM Event Schedule is displayed below if you are registered for the EFM with an (Online) Market Badge and logged into your account.
Events are constantly added and updated up until and during the market.

Please note:
The information on this page refers to the European Film Market 2025.
All VODs will be accessible with your login account until the end of May 2025.

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Inventive Ambitions - Financing Non-Fiction 2025

Inventive Ambitions - Financing Non-Fiction 2025

With: Melanie Andernach (she/her), Sylvia Griss (she/her), Emanuel Rotstein (he/him), Mascha Wilke (she/her), Matthew Carey (he/him) Access: Market Badge & Online Market Badge Organiser: EFM Type: Talk With: FFF Bayern, Deadline
Time and resources are essential elements for high-quality documentary film productions. With ever changing market conditions, where do producers find the stability to ensure that projects are realized and filmmakers fulfil their creative and social responsibilities? What are the challenges, roles and ambitions at each end of the financing process. An exchange between producers, platforms and foundations.

Marketing that Works: Tools and Tactics to Move the Needle

With: Joanna Solecka (she/her), Marina Kosten (she/her), Adriana Trautman (she/her), AC Coppens (they/them) Access: Market Badge & Online Market Badge Organiser: EFM Type: Talk
We look at the film industry’s value chain through the eyes of marketing specialists: what do they need to succeed at their work? What are the latest updates, new tools, approaches and strategies they are using?

Archival Filmmaking: Dismantling the Construction of the Past

With: Timoteus Anggawan Kusno (he/him), Juanjo Pereira (he/him), Ivana Urízar (she/her), Elizabeth Klinck (she/her) Access: Market Badge & Online Market Badge Organiser: EFM Type: Talk
The archive talk spotlights the creative process of archival filmmaking with a focus on dedication to the truth. How do filmmakers manage the challenges to keep balance of gate keeping and rewriting our collective memories by mixing archive material, fiction, AI and classical documentary filmmaking?
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